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The classical and
other dances are displayed on the occasion of nawroze (21st March), and on the marriages of Rajas etc. These can be classified
into Sword Dances, Broqchhos and Dewan or Ghazal.
The following are
the names of the sword dances:
1. CHHOGHO
PRASUL
It commemorates a
great victory by the Maqpon Rajas over their enemies. As a mark of
respect the musician who plays on the drum or ‘DANG’ stands up and
goes on playing on it for sometime. It is worthy of note that the
Maqpon princes would sometimes dance when this tune was played.
2. GASHO –
PA
This sword dance
is associated with the Gasho Dynasty of Purik (Kargil) who loomed
large in this region one time. It is also called ‘GHBUS – LA –
KHORBA’.
3. MINDOQ
HLTANMO OR FLOWER DANCE
It commemorates
the advent of spring.
4. SNEOPA
OR THE MARRIAGE PROCESSION DANCE.
This dance
specifically performed on the occasion of the marriages of Rajas. In
it the PACHONES or twelve Wazirs who accompany the bride take part.
5. JING
HRCHES OR THE NECK DANCE
In the early
stages the dancers move their necks to and fro.
6. KHOSHALPA
In the above
dances seven or more persons take part.
7. THEN –
KAR
Only two persons
take part in this dance.
8. AFGHANI
This is one man’s
display of dance with two swords one in each hand.
Next to the Sword
dances comes BROQCHOS which include ‘FURGON KAR’ or Pigeon dance,
CHURUKPA, HLANO KAR or Fairy Dance and SHOLI are well known. The
dance that is played to the tune of the ‘GHAZAL’ is called DEWAN.
MAQPONI FUTUNG KAR
or Maqpon’s Sleeve Dance is a dance that is displayed to the tune of
the folk – lore called Amir Haider depicting the downfall of the
Maqpon Dynasty in 1840 at the hand of the Dogras. This dance is
specially displayed at Khaplu to perpetuate the memory of
indignities suffered by the Maqpons. This tune is not played in the
presence of any Maqpon prince.
DAUR DANCE
This dance
commemorates the victory of Yabgo over Raja Ghori Tham. It is
confined to village PHARWA.
It may be
mentioned that there are certain tunes which are played on special
occasions. CHILAHO tune is played when the royal bride is taken out
from the palace. LAMSNA tune is played when the Raja goes out in
procession ‘BAM’ is a war tune.
From the statement
of eye – witnesses it is confirmed that as late as 1910 women took
part in dances along with men in the valley of Khaplu. But this
custom has now come to an end. In the past there used to be dancing
girls called ‘BEKARMO’ and ‘MALAKH ANMO’.
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